Sunday, March 05, 2006

Talking Back to Jean-Paul Sartre



Sartre, in What is Literature?, brings up poetry in this context- people have been asking him why he doesn't publish more poetry in his journal. Sartre says he wants signification, which "throws us into the world," rather than "word-things" that separate us from the world. But Sartre clearly doesn't know enough about poetry, or "the world" in a general sense, to make an intelligent judgment about it. No one conversant in Keats, especially, would mistake poetry for "choosing to lose."

This is a quote from What is Literature?:

Poetry is a case of the loser winning. And the genuine poet chooses to lose, even if he has to go so far as to die, in order to win...he is the man who engages himself to lose..he is certain of the total defeat of the human enterprise and arranges to fail in his own life in order to bear witness, by his individual defeat, to human defeat in general.

Sartre never explains what exactly he means by "lose": lose in love? Lose money and starve? Lose notoriety and live in obscurity? He makes the fatal, immature mistake of treating art like an Olympic sport, in which winners are crowned with gold metals and losers slunk off into interminable, media-eschewed shadows; and that kind of crass, vulgarized treatment expresses the dark side of twentieth century lit-crit, and of twentieth century treatment of the individual in general. Century XX had little sense of the individual as unique and/or irreplaceable; and the poet-as-individual, at his/her best, subsists as both.


Friday, March 03, 2006

"content with a new form?"

This new form may be useful or aesthetically valid; as with the Beam form, I can't say; but it is new. The poem works like this: two stanzas of ten lines each; moving from the middle lines (final line of stanza one, first line of stanza two) & moving up for stanza one, down for stanza two, the poem is a kind of mirror- the lines "answer each other", with slight variations & refinements. Here's the poem in question, "hair":

"we" were in english class, next to being next to
each other.
a matter of adding a porch or rolling in mud.
she said to me: "you're caring"
sounded to me like: "you're a fairy"
the hair became a kind of relic, the way
a once-used metaphor might (in its' "it")
leaving high school was a "volta" i'm still
combing out.
combing out with meredith's mud-brown hair.

combing out with meredith's mud-blown hair.
combing out.
leaving "leaving high school", another "volta"
now, becoming a once-used metaphor (out & "out")
that way is a hair-relic, "me" a heretic; her tic
sounds to me like: "you're a weirdo"
she said to me: "you're a weirdo"
a matter of adding peach or rolling in hay
with each other.
"we're" in a separate class, "late for the next one".

What could we call this? I'm at a loss. Should I start a series of these?
 

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